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An on-line art gallery, actively promoting the work of both up-and-coming, and established artists


 

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Artist's Statement

Eve Corder
(click any image for a larger view)

Barnabas
Barnabas Goose
Birth
Birth
Forgotten
Forgotten Memories
Groundsman
Groundsman
Growth
Growth
Sitting
Sitting Bird
King
King of the Castle
Viscera
Viscera

Eve is happy to accept commissions

You can email Eve direct at evecorder@ntlworld.com
You can also visit her website at www.eveart.co.uk/

About the Artist
Eve Corder studied at Exeter University, Worcester college, art foundation at the Cambridge Regional College and A.P.U where she gained a Degree in the Study of Art.
She now lives and works in Cambridge, sculpturing from found metal from various sources, and has had her work exhibited in numerous exhibitions and galleries (see below). Eve was the 'Artist in Residence' at Denny Abbey in Cambridge in September 2000 at the 'Agricola 2000', where she designed and produced a permanent sculpture. In January 2000, she also won a competition to design a sculpture for the Capital Parks Science Park at Fulbourne, Cambridge, which was erected in early Spring 2002. In 2003 she was accepted as a member of Cambridge Drawing Society and in May and June 2004 has her first solo exhibition at The Manor House Museum in Bury St Edmunds.

Exhibitions/Awards
2004 - Solo exhibition at Manor House Museum, Bury St Edmunds
2003 - Cambridge Drawing Society exhibitions
2002 - Showing with St Barnabas Press, Cambridge
2001 - Artworks, Milton Keynes
2001 - Haddenham Gallery, 'Trash'
2000 - Kettle's Yard Open
1997, '99, '00, '01 '02 '03 - Cambridge Open Studio
1997 & 1998 - APU Show
1996, '98, '99 - Cambridge Student Art Show
1996 - Cambridge Artworks Exhibition
1995 - Sculpture at Addenbrooks Hospital
1992/4 - Cambridge Art Forum
1993 - Art Foundation Show
1992 - Lang Exhibition, Cambridge

Artist's Statement
"I create sculptures from found pieces of metal. Some have already had a useful life and are marked by the wear and tear of heavy use. They are mostly agricultural in origin and often hold memories of a different way of
life. Others are discarded from manufacturing processes. I weld this 'junk' into compositions which reflect my concerns and visions, so there is a tension between the past history of the components and the present form of
the whole"

 

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